33-years old Tamás Merthner is heartbroken, after his girlfriend Anna, who is on a scholarship in Paris, breaks up with him. While wallowing in self-pity, Tamás takes a trip down memory lane to figure out if love only exists when it's practically gone. As he's trying to pick up the pieces, he begins to realize what makes this current society so confused, which gives us a highly subjective view of Hungary's present.
Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
Six years ago, Charity Jimohe left Nigeria for France. After ten months of forced prostitution to pay off a debt of 35,000 euros contracted with the traffickers who had brought her here, she walked through the door of a police station in Nantes to denounce the members of her prostitution ring.
Amany Al-Ali stands out as one of Syria's few female cartoonists, residing in her father's home in Idlib, the last city unconquered by Assad's forces. Like her remaining neighbours she's submitted to relentless Russian airstrikes and caught between advancing troops and extremist groups. Despite acclaim for her art, she faces threats, condemnation, and degradation, causing her to contemplate leaving. Ironically, her artwork has graced galleries in France and Italy but never received exposure within Syria's borders. The film captures her endeavor to organize her inaugural exhibition in Idlib. This experience compels her to confront the harsh realities of a city defined by bombings and male interference. While organizing drawing lessons for women and girls, comforting her young niece, and sharing her story with the documentary crew, Amany's outlook on the future gradually erodes.
When Lyudmila Ivanova made her infamous claim during a US-Soviet TV programme in 1986 that ‘There is no sex in the USSR!’, her comment – although roundly mocked at the time – revealed a certain truth about Soviet attitudes towards sex and the ways in which it was controlled by the regime, rendering it largely invisible. With this documentary, the director takes us through 70 years of Soviet history to highlight the interplay between sex, politics and society and the changing meanings attached to sex and sexuality under different General Secretaries.
An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
Artist Victoria Lomasko explores the link between domestic and state-sponsored violence in midst of an impending crisis. Having fled Russia in 2022, she embarked on a mural project depicting events since the protest-filled winter of 2021.
Once described by the press as "one of the most controversial figures on the Australian art scene", avant-garde poet and playwright Christopher Barnett achieved a level of notoriety in the Melbourne underground theatre scene during the ‘70s and ‘80s, before self-exiling to France. He remains there today, running an experimental theatre lab working with the marginalised and underprivileged, applauded by the establishment (including former French Prime Minister Jean-Marc Ayrault) and faithful to his belief that art can change the world. These Heathen Dreams is an intimate portrait of Barnett's life and revolutionary philosophy. Combining archival footage dating back to the ‘60s with contemporary observational documentation and text from Barnett's writings, it is a poignant and inspiring study of the power of both art and political activism.
As well as providing the subject for Luc Besson’s The Big Blue, Jacques Mayol did more than anyone to establish the sport of free diving to enormous depths without an oxygen supply. Using breathing techniques derived from yoga, he went to 50, 60, and even 100 meters—depths no one had considered to be within the bounds of human possibility. Mayol was a sportsman, a mystic, a vagabond, but above all, a man who believed in testing the limits of experience. This visually stunning tribute shows a man’s quest to be at one with the vastness of the ocean and to have no fear of the abyss within, where lurks serenity, freedom and finally, death.
Hayat, an expert sailor in the Arctic, navigates far from humans and her family's past in France. But when her little sister Leila gives birth to a baby girl Inaya, their worlds are turned upside down; we witness their journey, guided by the polar star, to overcome the family’s fate.
Samvel and Avo, Erik and Karen live in the land of a century-old conflict, rooted in the rubble of the Russian Empire. In Nagorno-Karabakh, people live, dream and prepare for a tragedy that is always on the horizon. Over 3 years, Alexis Pazoumian films the epilogue of the black garden, a land where war waits for no one.
In icy mid-winter Toronto, a group of pregnant women desperately strive to regain control of their lives. They have insurmountable forces against them: homelessness, drug addiction, violent relationships. But following these particular individuals are the attentive eyes of their guardian angels, the social workers of a unique public health initiative. If these expectant mothers can only manage to break free of the vicious cycles dogging their steps, they have a chance to keep their newborns.
The adventures of three female wanderers on their journeys thorough the United States of America, who hop on freight trains to travel free. The particular reasons of each one of them for living this life of perpetual motion are unique, a life that gains sense in the wide open empty space of an immense country, historically marked by the mythical rail roads.
Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.
On a mountaintop in southwest Serbia lies the womanless hamlet of Zabrdje, where the Jankovic brothers hold the fort. Veering between the utterly hilarious and deeply poignant, this beautifully-crafted film follows one brother's quest to introduce women back into the once-vibrant community. But with no roads or running water, convincing a Serbian woman is out of the question.
