In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.
In another indictment of the flaws of our so-called civilization, this satire from the late director Marco Ferreri features Christopher Lambert as Michel, a miserable man who has failed at love and finds solace in a mechanical key holder.
Amanda Weber is a museum employee. Her nephew, Victorien, who feels that wild animals should not be kept in zoos, while hitchhiking saw a mysterious bus with 50 dead tourists that later was found by autorities at the bottom of a lake. When Victorien gets in very serious problems due to what he saw Amanda seeks to find out what happened and soon also becomes a target.
The life of little St. Therese of Lisieux, depicted in minimalist vignettes. Therese and her sisters are all nuns in a Carmelite convent. Her devotion to Jesus and her concept of "the little way" to God are shown clearly, using plain modern language. A sense of angelic simplicity comes across without fancy lights, choirs, or showy miracles.
The enigmatic but vivid imagery of this loosely plotted film is based on a similarly evocative novel by the Italian author Antonio Tabucchi, Noturno Indiano. An old friend of the hero's has been living in Bombay with a prostitute. His friend Peter Schlemihl (Otto Tausig) is a concentration camp survivor, who went to India after being captivated by a photograph he saw there. When the prostitute writes to him in Europe asking that he rescue his friend from a mysterious malaise, he flies into India to try and help. When he gets to Bombay, he discovers that his friend has disappeared. Following the clues left behind by the friend, and based on his acquaintance with him, he journeys to Madras to speak to a Theosophist dignitary there, and then journeys on to Portugues Goa. With each step of his journey, the hero (Jean-Hugues Anglade) becomes more identified with his friend, and re-enacts in his own person the transformations he must have experienced.
Focuses primarily on three women and the (unseen) man who goes in and out of their lives. One member of this trio is a saleswoman with an open relationship that suddenly closes when she learns that her lover has been unfaithful. It seems that he has dallied with a book-dealer (her nemesis) who ultimately does not propose as much of a threat to the disillusioned saleswoman as a certain actress. Along with these three are several other females who interact with the main protagonists. Set up more in the manner of a stage play with changing scenes and acts.
Tattoo artist Billy and unemployed Nakos are best friends from Athens. Old bachelor Nakos is a racist, obsessed with the victim mentality, and he rages at Greece’s increasing immigrant numbers. Billy, however, is in favor of foreigners coming. They meet in Amerika Square in Athens because of Syrian refugee Tarek.
