C.R.I.M. Produções

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

After the Carnation Revolution the peasants in the Alentejo region occupied the huge proprieties where they were once submitted to the power of their masters. The protagonists of this film, resistants of this struggle, tell their story to the youngsters of today, in their own words.

A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

An elderly woman and a hormone-charged teenager arrive to a beach hut where, during her brief moments of clarity, she will persuade him to kill her.

A surreal portray of the abandoned Russian settlement Pyramiden on Spitsbergen from the point of view of a traveller lost in space and time.

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.

Theatre is life, as movement is life. In "Truth or Dare?", Sofia Marques sets off in search of her friend and actor Luis Miguel Cintra; and Cintra is in search of himself, both excavating the matter and memory of theatre, the matter and memory of life. At home surrounded by statuary and by his Porto, by the sea and in Spain where he was born, on a stage of light and shadow, in the films of Manoel de Oliveira or in the poems of Ruy Belo.

A path for tourists on their way to the Castle of São Jorge, the Pátio Dom Fradique was once a popular courtyard where around sixty families used to live.Today, ruins of their houses are the unique remains.There, the erased memories of the old city history and the frenzy of the new Lisbon give way to a contemporary urban tale.

There's a film subtitler. There's a film she must urgently subtitle. There's the plot of that film, with which she relates on a level that will remain enigmatic to us. And in that film within the film there's a main character, whose dreams are being devoured, and other characters, interested in dreams as well, but far more practical. And there¹s music, and a promise of music. Timelessly wandering through the world.

Adaptation by the director Inês Oliveira from the traditional Portuguese tale «O Sapo e a Rapariga». The laundry room is closed and a young woman (Rita Cabaço) has to learn how to wash clothes by hand with the wise Deolinda (Isabel Ruth), who tells her a strange story of enchantment.

Georges Bizet's famous opera Carmen tells the story of the eponymous Gypsy woman, depicted as being impulsive and with an eye on smuggling. Taking this perpetuated stereotype into account, we visit a group of Spanish gypsy women who are claiming their own space.