Noah's Ark

Noah's Ark 1928

6.10

The Biblical story of Noah and the Great Flood, with a parallel story of soldiers in the First World War.

1928

Mystery of the Wax Museum

Mystery of the Wax Museum 1933

6.47

The disappearance of people and corpses leads a reporter to a wax museum and a sinister sculptor.

1933

The Public Enemy

The Public Enemy 1931

7.24

Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.

1931

Night Nurse

Night Nurse 1931

6.73

Lora Hart manages to land a job in a hospital as a trainee nurse. Upon completion of her training she goes to work as a night nurse for two small children who seem to be very sick, though something much more sinister is going on.

1931

I Am a Fugitive from a Chain Gang

I Am a Fugitive from a Chain Gang 1932

7.81

A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.

1932

Hollywood Capers

Hollywood Capers 1935

5.00

W.C.Fields enters the Warmer Bros. Studio. Beans tries to drive in, but the guard throws him and his car against a tree. Charlie Chaplin drives in, followed by Oliver Hardy on foot - but we see that it's really Beans in disguise. Oliver Owl is directing a picture; Beans sneaks onto the stage. He's watching from a catwalk when someone knocks him off, into the middle of the scene. Beans is thrown off the set, right into the set of a Frankenstein movie. He accidentally brings the robotic monster to life, and it crashes into the original studio, eating the camera. Beans tries to stop the monster, but is sent flying. He lands against a wind machine. which chops up the monster.

1935

The Jazz Singer

The Jazz Singer 1927

6.10

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

1927

Elmer, the Great

Elmer, the Great 1933

4.30

Elmer does not want to leave Gentryville, because Nellie is the one that he loves. Even when Mr. Wade of the Chicago Cubs comes to get him, it is only because Nellie spurns him that he goes. As always, Elmer is the king of batters and he wins game after game. When Nellie comes to see Elmer in Chicago, she sees him kissing Evelyn and she wants nothing to do with him anymore. So Healy takes him to a gambling club, where Elmer does not know that the chips are money. He finds that he owes the gamblers $5000 and they make him sign a note for it. Sad at losing Nellie, mad at his teammates and in debt to the gamblers, Elmer disappears as the Cubs are in the deciding game for the Series.

1933

Gold Diggers of 1933

Gold Diggers of 1933 1933

7.18

During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.

1933

Smart Money

Smart Money 1931

6.90

Two brothers' trip to the big city to do a little gambling results in a fateful turn of events.

1931

The Rich Are Always with Us

The Rich Are Always with Us 1932

5.20

A wealthy couple's marriage is falling apart due to the man's infidelity. The wife's male friend has long loved her and sees his big opportunity.

1932

Beauty and the Boss

Beauty and the Boss 1932

7.00

An ultra-efficient Plain Jane secretary blossoms when she accompanies her boss on a business trip to Paris.

1932

One Way Passage

One Way Passage 1932

7.30

A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other's secret.

1932

Show of Shows

Show of Shows 1929

5.50

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

1929

Street of Women

Street of Women 1932

4.80

An architect has an affair with a woman who inspires him. Her brother is in love with the architect's daughter. The complicated entanglement leads to misunderstanding and dissolution, but ultimately love.

1932

Gold Diggers of '49

Gold Diggers of '49 1935

5.60

Porky and Beans are prospectors during the Gold Rush, but when a villain steals Porky's bag of loot Beans races to get it back so he can marry Porky's daughter Little Kitty.

1935

The Goose and the Gander

The Goose and the Gander 1935

4.60

When Georgiana Summers learns that the woman who stole and married her husband is planning a romantic tryst with a new love, she hatches a giddy plot to expose the rendezvous and pay her back.

1935

A Trip Thru a Hollywood Studio

A Trip Thru a Hollywood Studio 1935

5.20

This short shows the entrances of the various Hollywood studios, then specifically visits Warner Bros. / First National Studios. We start at the casting office, then see Busby Berkeley and choreographer Bobby Connolly working with chorus girls on production numbers. Then come some candid shots of several contract stars. Finally we see comedian Hugh Herbert filming a scene for an upcoming release, then the various behind the scenes steps that transition the raw film in the camera into the finished product.

1935

Alice in Movieland

Alice in Movieland 1940

6.30

In a U.S. town that could be anywhere, 18-year-old Alice Purdee wins a free trip to Hollywood. With the assistance of a cheerful porter, she takes the night train and dreams about her arrival. Instead of instant success, she meets disappointment after disappointment, and she needs the unexpected encouragement of her grandmother and an aging, former star whom she meets at a talent night. Finally, she gets a call to be an extra, and she's so hopeful that the regulars decide to make a fool of her. Is this the end of Alice's dream? Not if the porter has anything to say about it.

1940

Maybe It's Love

Maybe It's Love 1930

4.00

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

1930